nice deep phunkin warm electro vocodered synth pop traxx !!! dj support coming from: pascal feos, dj hell, good groove & tom wax

ultraphat synth- styled electro tech bomb!!! charted & played by dj hell !! plus plays by monika kruse, pascal feos, andre galuzzi, karotte,..

a stellar bubbling detroit-style synth > lines into one big hypnotizing groove on a lengthy minimal tech-house > excursio

tribute to basic channel a pure dub & crakling sweet techno with cinematic object and spoken words .on the flip side the rising star from vancouver hrdvsion aka nathan jonson (itiswhatitis ) does a massive remix : epic shuffle techno , when click house meets melancolic synth ….rave anthem ! already supported by mathew jonson, quenum (cadenza )

an ultimate setup for the hottest dish straight between classsic hi energy electro disco and 2004 berlin acid flush (van too).direct and non stop foreign follows 2 deliciously stunning starters with some truly fumaesque synth broken percussive juice

cool bubbling synth detroit electro tech, a piece of vocal electro-techno from the master

hit machine frank popp jumps into the time machine and travels from the swinging sixties to the neon-lighted 80’s hidden under his alter ego maria ghoerls without leaving his cheekyness behind: cheap casio's, vintage electro beats updated with some modern clickety clack, thick synth basslines, rock antiques and strange voice snippets are expertedly mashed up for maximum rave effect!

all three tracks are aimed squarely at the dancefloor, with stripped back 4/4 beats driving through acid squelches, raw synth stabs and minimal percussion

ultraphat breakin electro with crazy vocal samples and a damagin synth …300 copies ltd edition

a stunning two-tracker of pumping deep house and jazzy, funky broken beat styles. on audio foolhe teams up with vocalist james torme (son of mel) for a smooth excursion. the flipside goes heavy on cpens trademark synths with hot 80?s sounding synth stabs, rolling bassline and a stonecold electronic boogie beat

serious business is a poppin' electro-tinged techno cut with gary using his usual flare for detroit synth textures nicely, 'ghetto chic' combines a deep bassline groove with clicking beats, sharp analog synths, + robotic vocals listing. of the 2 takes, the broadway mix just takes the edge, with a superb basic channel flavour

hard punches with dry, rattling beats and mean distorted torture chamber synth sounds. frankie revisites the track himself starting out with a nice shuffle before moving into some hyper-futuristic ska riddim with a quirky bizarre melody that sounds like a sped-up circus organ soundtrack to a slapstick silent movie.

"fred everything giving the house makeover to outkast's ""spottieottiedopalicious"" track. his ""back in da day mix"" keeps andre 3000's vocal, and backs it with a pulsing bassline, stabbing synth chords, and giving the whole track an old skool acid house feel. on the flip, fred's ""club rub"" is a funkier take"

dc10 resident and top producer (alongside timo maas producer martin buttrich), locodice follows up the awesome city lights and dynamite love tracks with this benassi-style distorted fart synth sound to massive effect. support from timo maas, carl cox, james zabiela…

"another dream-time collaboration for all the deep house fanatics! canada's finest fred everything teams up chicago legend roy davis jr. on this memorable three-tracker. ""next to me"" is pure sexy deep house, mixing roy's cool spoken word vocal with fred's signature slamming beats, warm bass and hypnotic synth hits."

opens with some great percussion and percolating synths before a big bassline comes into play and it's off to the big room for this dark tracky house gem as the bassline is joined by a gereat analog synth hook and some subtle filters. aka johnny fiasco

its peaktime floor action all the way on this tracky houser. on the reverse, happy feet is another bass-driven cut, with more great percussion, a stabbing male vocal snippet, and warbling synths. last up is drive straight, completing this set of tracky peaktime numbers with a hooky synth line and pumping bassline, while an abstract vocal stab duels it out with tight crisp beats for second billing.

an absolute slammer (sounds like urs x-101 series), uses similar monstruous samba drums together with some superb synth stabs to create a peaktime rumbler! enjoy... expect support: shufflemaster, chris liebing, technasia, dave clarke, carl cox, laurent garnier, cisco ferreira, joel mull, sven väth, josh wink, adam beyer, ben sims, g-force, deetron, jeff mills, angel molina, umek..

the original, with its wailing organs 909 beats and dark vocals samples takes this one down the road 3.am style. whilst the flip-taken over by dj linus - goes even deeper into a dubby synth workout with a chicago trax bassline and 707 claps hitting hard ontop of the 909 kick. pure, effective nostalgia.

dfa kick off the new year with this new single from delia gonzalez and gavin russom which features el monte, a hypnotic psychedelic analog synth play, pulsing and throbbing along with not a sign of a beat anywhere, and a remix by head honcho, james murphy, of rise who takes the pulsing analog synths and adds some crisp beats to the mix !!

3-tracker. not the faint of heart, this is dancefloor techno at its best, with clattering beats and analog basslines laying down the groundwork, while synth chords stab in and out in true detroit style.

turkish synth folk

a mesmerizing journey of electronic and classical elements for this year most awaited canal + serie

die 2cd erscheint in einem dreifach ausklappbaren card-sleeve mit 8-seitigem booklet.

we are so excited to present to the world the 3rd and final instalment in danny tenaglia’s gu trilogy, danny’s mixes have been a huge part of our dna for many years, with his seminal athens and london mixes forming the part of many people’s favourite dj mixes of all time, brooklyn is a stunning addition to that heritage and we can’t wait to release this album to the world.

synth disco influenced

cool ambient stuff

from synth - electronic to pop , check

nyc dark synth duo tempers are back with their third album.

the complete collection of songs from belgian synth-pop band pas de deux.

after her self-titled debut last year, west coast synth-pop icon riki returns with her 2nd album.

arp friques second album on colorful world, exploring the globe via a concoction of sounds that takes in disco, synth boogie, funk and the sounds of the caribbean, west and east africa. tip!

limitierte auflage von 500 exemplaren. lost / found ist die definitive sammlung dieses minimal-synth-wave-acts und diese neuauflage auf cd versammelt insgesamt 52 songs, darunter 8 bisher unveršffentlichte.

continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled motor city rhythms and sound. it finds the detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and dixons peculiar beat work.

als die ndw noch dada war - bester deutscher synth-pop der frŸhen 80er jahre.

4x cd box , mixed. separated in disc 1: soundscape, disc 2: tempo, disc 3: juxtaposition and disc 4: redux

synth ambiences, acoustic landscapes

from electro to synth pop

amielie lense mix cd 19 techno rave tracks!

jazzy and folksy dub disco-influenced synth-pop

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

wrwtfww records is deliriously happy to announce the reissue of the 1981 self-titled album from cult japanese duo colored music, available on vinyl (housed in a stoughton tip-on sleeve) and digipack cd, with liner notes by digger, curator, connoisseur, writer and legend chee shimizu. an incredible mix of cosmic new wave, unconventional disco, avant-garde synth pop, and hybrid electronic funk

this offering is part of public possessions 5th anniversary celebrations. public possession rare dance disc includes previously unreleased music by almost all label artists. 15 tracks carefully selected, released on compact disc in a limited edition of 300 copies. representative for the labels output so far, you will find a wide variety of music, fullfilling various dj needs, providing everything from bubbling ambient, synth pop and uptempo disco to peaktime mainstage material, 90s influenced rnb and more.

berlins own steffen linck, a multi-instrumentalist known as monolink, announces his debut album amniotic, due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolinkÕs music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica, steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work, following his 2017 ep burning sun via sol selectas, and the end, a collaborative record with acid pauli in 2015.

to those familiar with the output of cologne-based imprint firm from back in the early Ô00s, the name of geiger, alias nass, shall undoubtedly ring a bell. herald of an hedonistic melange of funk- soaked electro pop and guitar-riddled synth music, sitting somewhere close to acts like ween and junior boys, alexander geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of fahrland. a release that both encompasses a healthy dose of the discoid tropes from the firm era but also aspires to split with a segment of it, geared towards exploring further undisclosed fringes of his shape-shifting sound universe, Ômixtape vol.1Õ is the fruit of a decisive move from the sleepless berlin to the peaceful countryside landscapes of fahrland Ð a lushly forested area near potsdam which youÕll have understood played an essential role in geigerÕs longed-for return.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou